motus, marble, 30 x 35 x 12 cm, 2020
The movement of the physical, feminine-looking form in the work motus is reminiscent of a cycle: a hill pushes outwards from the wall. At the highest point, a suction to the inside is created, it reaches through the opening into an undefined, infinite space. At some point, one ends up back at the beginning of the hill. The movement is reminiscent of fertilization, with the aim of reaching the opening and disappearing into it.